Our work.
Real films, clearly labeled. One click shows how each one was made.
The Wall Becomes a Staircase – Animated Commercial for Mario Bartilla
Project for Mario Bartilla · co-owner of Motion ToGo, Animated commercial, 48.5 seconds
A hand-drawn commercial for business mentor Mario Bartilla: week by week, a wall of problems turns into a staircase leading up.
Spreeherz – This is where you live.
Design study · Fictional brand, Emotional commercial, 56 seconds
KAIRON – Every Pallet Has a Pulse
Design study · Fictional brand, B2B product film, 36 seconds
AI-generated
Tool: Higgsfield, ElevenLabs
By us: Idea and script · Typography and info cards
How we use AI
GLUTSTEIN – Stone-Oven Pizza
Design study · Fictional brand, Commercial, 35 seconds
AI-generated
Tool: Higgsfield, ElevenLabs
By us: Idea and script · Typography, including the flying ingredient list
How we use AI
ORVEN ONE
Design study · Fictional brand, Release trailer, 32 seconds
AI-generated
Tool: Higgsfield, ElevenLabs
By us: Idea and script · Typography and spec overlays
How we use AI
NACHTKUGEL – Mondkrümel
Design study · Fictional brand, Social ad/Commercial, 24 seconds
AI-generated
Tool: Higgsfield, ElevenLabs
By us: Idea and script · Typography, plus the lettering and logo on the package
How we use AI
How we work
How we work
- One idea, one sentence. Before anything gets animated, the idea has to fit into one sentence. If it doesn’t, it isn’t finished yet.
- The script is spoken out loud, not read. We write short sentences, one thought per shot. Anything that stumbles when read aloud gets cut.
- Several takes, the best one wins. Every line exists in several takes. We listen to every take and cut down to the syllable.
- Stills first, then motion. Four or five frames in the final look show early on whether the film works. Only then do we animate.
- Every movement gets a sound. A word pops up, it clicks. An image wipes away, it whooshes. A logo lands, it hits. We compose the music for each film ourselves, cut to the edit.
- Review it as if it were someone else’s work. We look at every film frame by frame on a contact sheet. We measure the loudness. And we have speech recognition transcribe the final mix. If the machine understands every word, so does anyone wearing headphones on the train.
Made by people. With AI tools.
We build the idea, script, typography, maps and cards, 3D objects, transitions, music and mix ourselves. The design studies also contain AI: voices, some of the sound effects and live-action scenes that we matched to the look of the film. Each film page states openly what exactly.
In client films: no AI images, no AI video. Voices are licensed AI voices. Labels, logos and lettering are never made by AI at our studio.
Ready for your film?
Price and date are set right away – a fixed price, revision rounds included.